PEEPING TOM are returning to Bratislava after 10 years and in the meantime, they have advanced to one of the most original and successful companies of the Belgian theatre and dance scene. The choreographer and director Gabriela Carrizo has created an interesting but also disquiting archetypal image of Mother, based on something of a collective memory. This is the second part of a trilogy about family members (Father 2014, Child 2019), in which Peeping Tom creates complex movement theatre, based on the thoughts on the significance and obligation of motherhood, on what it means to be a woman, a parent, am mother, on the subconsious, on the ideas, disappointments and desires which every mother experiences.

Production: Peeping Tom
Direction: Gabriela Carrizo
Directorial assistance and dramaturgy: Franck Chartier
Creation and performance: Eurudike De Beul, Maria Carolina Vieira, Marie Gyselbrecht, Brandon Lagaert, Hun-Mok Jung, Yi-Chun Liu, Simon Versnel, Charlotte Clamens
Artistic assistance: Diane Fourdrignier
Sound composition and arrangements: Raphaëlle Latini, Renaud Crols, Glenn Vervliet, Peeping Tom
Sound mixing: Yannick Willox, Peeping Tom
Light design: Giacomo Gorini, Amber Vandenhoeck
Costume design: Diane Fourdrignier, Kristof Van Hoorde (internship), Peeping Tom
Set design: Amber Vandenhoeck, Peeping Tom
Set construction: KVS-atelier & Peeping Tom
Video rehearsals: Sulok Swablamban (internship), Gaspard Rozenwajn
Foley Coach Elias Vervecken
Co-production: Theater im Pfalzbau (Ludwigshafen), Taipei Performing Arts Center (Taipei), KVS - Koninklijke Vlaamse Schouwburg (Brussel), GREC – Festival de Barcelona / Mercat de les Flors (Barcelona), HELLERAU - European Center for the Arts Dresden, Les Théâtres de la Ville de Luxembourg, Maison de la Culture de Bourges, La Rose des Vents (Villeneuve d’Ascq), Festival Aperto/Fondazione I Teatri (Reggio Emilia), La Bâtie – Festival de Genève.
With the support of the Flemish authorities
Distribution: Frans Brood Productions